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Workshop: Sarah Matthews 1024 362 Mathilde Habert
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Workshop: Sarah Matthews

<>Paper Engineer
made in the UK
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Introducing

Nice to meet you Sarah. Who are you?

‘Paper Engineer’ would have been my dream job as a child, had I known of its existence.

Well, it would have been a close second after professional Ballerina anyway. I have been a maker for as long as I can remember, from my earliest memories folding origami penguins and cutting paper doll chains, to graduating from my Textile Surface Design Degree in 2011 with a graduate collection of paper jewellery, to now spending my days buried under paper in my studio in Nottingham, cutting, folding, gluing and interlocking to create innovative and playful paper designs.

Meet Sarah

About me

“I am a design-enthusiast, sucker for good packaging design and self-proclaimed perfectionist, who loves to explore, wear stripes and nest when not in the studio.”

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FROM 2D to 3D

How do you call what you do, as a professional?

When I’m asked what my job is, I say “Paper Engineer”. To me, this simply means a designer who transforms paper from 2D to 3D, by creating sculptures or pop-up mechanisms. Having said that, I would also describe myself as a papercut designer, as a significant amount of my work is also two dimensional, layered papercuts.

I design these papercuts on Illustrator, and send them to my plotter to cut (a machine similar to a laser cutter, but with a blade rather than a laser), before finishing the detailed cutting by hand with a scalpel as unfortunately my machine isn’t perfect and I always need to ‘tidy up’ the detail by hand.

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PAPER TIPEE [Originals], Using IMPRESSION ORIGINALE wraps.

SHEFFIELD BORN

Tell us how is your typical day going by.

What are the extraordinary things happening?

I was born in Sheffield but lived in London for the majority of my adult life so far, before moving to Nottingham last year. When I lived in London I was working full time in the product development department of a jewellery company, and doing my own work on the side. I had always wanted to try and do my own work full time but completely lacked the self-belief to take the plunge and go for it. When I lost my job due to my employer’s financial issues, I decided to take it as the push I needed to try and turn my ‘side-hustle’ into a full time job. As London is a really expensive place to live, I decided to move to Nottingham, where my mum lives, to save some money while I was taking the first steps to build up my business, which is why I’m here at the moment.

To be honest, I am so busy with work at the moment, and earlier this year I managed to buy my first home, which is in Sheffield, and all of my spare time is being spent working on the new house as I am renovating it before I move in, which is so exciting, but the downside is that I haven’t been able to get out and make the most of what’s going on in Nottingham while I’m here.

I can’t wait to move to Sheffield – hopefully it will be very soon now! I love Sheffield, it is where I was born, and is so vibrant, with loads of lovely independent shops, cafes and restaurants, and so much gorgeous green space.

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PAPER SCULPTURES “Rooster” and the “Lobster hat” [Originals]

IN SARAH'S STUDIO

What is it like to be in your studio?

I like to listen to music while I work, particularly anything I can sing along to, and which makes me want to dance… My musical (not so) guilty pleasure is late nineties/early noughties hip hop and R&B. Sometimes it can get a little lonely being self-employed, so if the loneliness is getting to me I like to have films/TV on in the background so I am listening to people talk… I think in a strange way this makes me feel less like I am on my own.

I like to have a scented candle or diffuser out to make my working space feel calm, but nothing too strong as they can give me a headache! My favourites are fresh, herbal scents and I find Anthropologie is great place to find them.

Sadly I don’t have a little companion of my own yet, but I always had pets growing up and can’t wait to get a dog in the future. I’m obsessed with maltipoos and chow chows and am a total sucker for fluff. I follow so many dogs on instagram!

VERSATILE MATERIAL

Paper is central to your work, can you explain why you choose this medium.

I studied Textile Surface Design at Buckinghamshire New University, but decided during my degree that I didn’t really enjoy the fabric ‘end result’ of my projects as much as I enjoyed the ‘paper-based’ sketchbook and paper maquette stage of my projects. Fortunately we were quite free to do what we wanted, so I ended up making a collection of printed and folded paper jewellery for my final collection. After graduating, I continued to experiment with paper as a hobby, but it has since turned into my full time job!

“I love paper: it is the most readily available, affordable and versatile material, with limitless possibilities.”

PAPER FLAMINGO

Present us your “copyright” creation. The one you are most proud of.

He took a really long time to make, but I was really happy with how he turned out!

I think I am most proud of the paper flamingo I made for GF Smith. I was challenged to pick my favourite colour and make something in that colour using their lovely papers. I chose pink and used it as an opportunity to make a flamingo which was something I had wanted to do for a while.

MAKE A WISH

Now, close your eyes and tell us how an ideal world looks like to you.

Full of colour and happiness, and the perfect balance of nature and design.

BEHIND THE SCENES

Walk us through one of your artworks you developed in collaboration with us!

First, I designed the shapes on Illustrator, before sending them to my plotter to cut out. I cut the teepee shape out of both wrapping paper and normal paper, so I could back the wrapping paper with the normal paper to add strength. I then glued the wrapping paper to the normal paper, and scored where I would need to fold.

I then folded along all of the score lines. I then added some gold paper behind the door. I trimmed down the bamboo sticks to size and threaded them through the cuts in the paper, then lifted up each side of the tent to check they met perfectly at the top.

I then tied some beads and feathers to the top of the front face, and finally tied the four bamboo sticks together at the top.

Step #1

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Step #2

Step #3

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Step #4

SOFT BUT SYMMETRICAL

If shapes and curves were emotions, which one would you be?

That is such a hard question! Visually, I love angular, geometric shapes, but I think if my personality was a shape it would be much softer, but still symmetrical, so perhaps a circle… I would describe myself as soft, patient, compassionate and a bit of a perfectionist, so I think ‘soft but symmetrical’ sums me up pretty well.

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Join the world of Sarah

“I have already picked out my future dog’s name – ‘Crayon’! People seem to either think it’s the cutest name or the most ridiculous name!”

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miniatures contact Sarah Matthews

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3D Modeling: Surgeon Paper 1024 359 Mathilde Habert

3D Modeling: Surgeon Paper

<>3D Modeling
made in France
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Introducing

Nice to meet you Surgeon Paper (Remi). Who are you?

I have always been attracted to manual activities. As a child, I was very curious, I spent a lot of my free time dismantling and putting it back together electronic devices. I like to understand how things work, it has caused me some accidents of course, such as when I planted a hairpin in an electrical outlet, or when I put my hand flat on a hot plate … to check if it was really hot. It was.

I always kept a creative side hobby on top of my countless jobs. I made stop-motion movies with paper objects or with pretty much everything that fell under my hand (www.vimeo.com/charetteprod). I participated in the realization of advertisements using this technique.

Meet Remi

Bonjour !

“For a little over a year, I am 100% working on paper sculptures, based on computer modelisation.

I sell online my “animals” and other artworks (see link below).

I am open for commissions for window décor, or private orders.”

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MISTER RABIT AND A BOW [Originals by Surgeon Paper], using IMPRESSION ORIGINALE “Océan de Vagues” wrap.

3D MODELING

The use of specialised software is key. Can you explain what is the role of the computer in your creation?

The first time I saw a paper sculpture in this style, I immediately wanted to try. I was already working with paper, glue, cutters; The first time, I used a deer modelised model I found online. I was a success.

I really liked the result and so I deepened the subject and learned more looking at online tutorials to be able to master all the stages of creation, and eventually, create my own models.

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MISTER RABIT AND A GIFT [Originals by Surgeon Paper], using IMPRESSION ORIGINALE  “Déluge de Coeurs” wrap.

COFFEE BREAKS

Where is your mind when you give life to your artworks?

It takes too much focus for me to be able to think of anything other than what I am doing!

It is usually when my mind begins to escape that I make mistakes, this is usually the moment I choose to take a break.

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THE THREE LITTLE RABITS [Originals by Surgeon Paper], Using IMPRESSION ORIGINALE wraps.

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FROM YOUR WINDOW

What do you see from your window in Marseilles?

Being in a period of professional transition, I constantly move.

Right now, I see trees, the skyline of Marseilles, and Notre Dame de la Garde in the background. The top three quarters of the view are filled with a beautiful blue sky most of the time.

Marseille is a little French California … except for high technology and movie stars.

YOUR FAVORITE

What is your favorite artwork? Explain to us why.

“…but it is impossible… it is like choosing your favorite child!”

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THE PANTHERE [Originals by Surgeon Paper].

As you can see on my Instagram feed, the little rabbit is a central piece. I had to go through a lot of prototypes and I’m really pleased with the result I got and how poeple receive it.

However I would say that my favorite creation is the bear … or the wolf … or else … in fact I love them all, it’s a bit like choosing between your children what you ask me!

OUR SENSES

What do you need to feel most creative?

I work a lot based on raw emotions: anything can be a trigger for a desire to create. This can be music, text, a landscape, or the work of another artist …

My sources of inspiration are unlimited and often unexpected, but they all have a common implication of the senses, mostly the sight, but the hearing and the touch are also playing a big part.

TUTORIAL

Explain to us, step by step how you bring life to your rabbit!

The first step is 3D modeling. It all happens on computer: I use the Blender software. Creating an object in volume on a flat screen requires good vision in space, and a certain capacity for abstract thinking.

When I am satisfied with the 3D object, I use another software to virtually “unfold” it: Pepakura. This makes it possible to obtain a printable pattern, and to arrange the various facets to optimize the feasibility of the next step: the assembly.

The next step is printing the pattern. Then the object transitions from the virtual world to reality … But, there is still much to do: cut out each piece, fold it and paste it one by one in order to reconstitute the object in volume.

Et voilà 😉

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MRS RABBIT [Originals by Surgeon Paper], Using IMPRESSION ORIGINALE “Campanules Lilliputiennes” wrap.

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