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Workshop: Pippa Dyrlaga 1024 886 Mathilde Habert
Impression Originale interview with Pippa holding a cherry blossom paper cut out

Workshop: Pippa Dyrlaga

<>Paper Wonders
made in Yorkshire
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Introducing

Nice to meet you Pippa. Tell us a little bit about you.

I am an artist based in Yorkshire, England.

I use single sheets of paper to create contemporary artworks using traditional paper cutting techniques. My work is inspired by nature and the things I encounter around me.

I first started paper cutting in around 2009/2010 whilst I was studying and fell in love with the simple medium I have worked with since.

Meet Pippa

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Hi there!

“My dream world: calm and colourful “

The Commission of my Dreams

“I would love to do a huge tapestry style piece filled with all the beautiful natural things in the world.”

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Impression_Originale_itw_Pippa_Riverside II .
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A WORLD OUTSIDE THIS WORLD

What are you exactly?

I refer to myself as an artist. Most of the time a paper artist, but also as a printmaker.

I think I have always thought of my work as being in a different world though. To me they all have life and movement and exist somewhere. I am simply trying to capture a frozen moment of that.

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WORK FROM HOME

Where is home?

I moved to Hebden in 2014, after living in the City of Leeds.

I am from Mirfield, originally (the same place Patrick Stewart is from!) Its is close by so I already knew it, but after getting disillusioned with life in a city, the draw of a beautiful place with a well know creative community was really inviting for me. I love it here.

I work from home and sit next to a window with a beautiful view of the valley, and my dog at my feet. I couldn’t ask for anything better than that.

Getting up early is the secret

My typical day can vary, but mainly consists of being in my studio working on current projects. It is quite labour intensive with long periods of sitting at my desk, so I try and break the day up with admin tasks and other bits and bobs!

I get up early, and so my work day starts at around 8am, and can sometimes go until 10pm (with breaks of course!) I am lucky that I get to do something I enjoy so much so it’s as much a pleasure for me as it is work.

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WINDOW HANGINGS PAPER CUT [Commission], Pippa Dyrlaga.

PAPER, TRANSFORMED INTO ART

What is your relationship to paper?

At first, paper was just a material to get what I needed done. Then it became quite a good choice because of the availability of the material as I was studying at the time. After a short while, I started to appreciate the material itself, its simplicity and varied types. Now it’s something I really love. I am a paper nerd. I love how different it can be and love to experiment with different types.

I recently started looking into more sustainable papers, and came across Japanese washi papers, which are both light as a feather and strong and I love working with it. It’s such a simple, every day material, but what it’s used for can both be thrown away and revered, it’s interwoven into history. I could go on and on.

LET'S PLAY!

If I say ``paper``, what first comes to your mind?

Half finished pieces of work laying out on my desk, stacks of clean fresh paper waiting to be turned into something, handwritten notes and stacks of books. So more of a place filled with paper!

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HEART OF SPRING, Pippa Dyrlaga.

A PEAK FROM YOUR WINDOW

What do you see, hear and smell?

The window is right next to the left hand side of my desk and outside is a lovely view of the valley I live in, and lots of trees. There are always lots of birds around and faint noises from the town. I usually have some music playing in the background, something nice and calm!

I can also usually hear my dog snoring away by my feet somewhere.

My favourite smell is in the winter, when the town has a lingering smell of wood burning stoves in the air, I wish I could sit with my window open!

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IN MY OFFICE, Pippa Dyrlaga.

WHAT MATTERS MOST

Tell us about a commission that was really special to you

It wasn’t technically a commission, but I worked with a local gallery to produce an original and edition of prints to fundraise following the terrorist attack in Manchester last year. We sold them all and raised a nice sum for a local charity that works with children, and were working with the kids and families that were directly and indirectly affected by the events.

It’s almost exactly a year ago now so it is nice to look back and think that I made even a small amount of difference.

STEP BY STEP

Walk us through the artwork you developped with us

Step #1

So I chose the paper from Impression Originale Collection “On the Bird’s wing” for my piece. The first thing I did was to research the artist, Eugène Séguy, that the paper was inspired by!

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Impression_Originale_itw_Pippa_first sketch

Step #2

After this, I have to select the paper I will use. I chose my favourite paper to work on, which is a 36gsm washi paper from Japan. It is so incredibly light and thin but very strong and perfect for fine details.

The work is quite symmetrical with two birds touching beaks in the air, so I first drew a rough outline of the composition. This is always just a basic outline as I add detail in as I am working.

Step #3

Once the layout was decided, I cut out the most detailed sections first, so started with the wings. They are all slightly different. This can take a while and I cut out each feather individually.

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Impression_Originale_itw_Pippa_in progress tail detail

Step #4

Once the wings are completed, I move on to the tails. I added small details into the wings and body that are inspired by the random geometric shapes in the bird wings of the original design. Its very labour intensive, each piece is very small and can be less than a millimetre thick. I use an incredibly sharp blade, and change them frequently to keep the sharp tip I need.

Step #5

After all details have been cut out, its time to cut it free from the paper. This one will be very delicate as the two birds are only connected by the tips of their beaks, so it takes a lot of care and delicate handling once it is removed.

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THE PERFECTION OF A CIRCLE

If shapes and curves were emotions, which one would you be?

A circle. Emotions come and go, they are cyclical. You can’t have the same emotions all the time, but you will have them again. People aren’t meant to feel the same way all of the time.

Share a little secret...

I am 34 years old and I haven’t learnt to drive yet because it makes me so nervous!

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ON THE BIRD’S WING  [Collaboration with IMPRESSION ORIGINALE], Pippa Dyrlaga.

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Print Shop

Impression_Originale_itw_Pippa_Riverside I 2017
Workshop: Damien the leather Compagnion 1024 683 Mathilde Habert
Journal_InterviewDamien_lanièrecuir

Workshop: Damien the leather Compagnion

<>The passion of a Craftsman
Meet the Companion
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Introducing

Damien, how did you specialise in Leather?

As a child, I was day dreaming that later I will become a car designer… So I naturally sought for a a vocational training, which proposed practical teachings. In France, the best training in this area is given by “les Compagnons du Devoir“.

I believe that the best way to learn in craftsmanship is to evolve slowly and see all the aspects of work. The vocational training with the Companions is exactly doing this. You learn step by step, in a process that lasts 7 years. In the first years of my training, I realised that I would get more opportunities working as a leather craftsman than as a car designer.

Thus, I started my « Tour de France » of the Companions in 1997. I was 20. The first city I headed to was Bordeaux, then I went to the United Kingdom, Italy, Belgium (with Delvaux), Switzerland, Morocco, then I came back to Paris for Louis Vuitton (design office and studio). I finished my “Tour” with Céline in London.

Damien, the leather wizard

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The ``Compagnons du Devoir``

The Compagnons du devoir proposes a traineeship based on a vocational training which is divided in 3 steps: first you join as an ” Apprentice“, then once adopted by the companions Community you are upgraded to “Aspiring Companion” to carry on your vocational training. At the end of the traning, you are required to submit your “Masterwork” which is submitted to the approval of the Companions’ Board. If accepted, you get the title of  “Compagnon”.

INITIATORY VOYAGE

How did you ``Tour`` shape you?

My “Tour” with the Compagnons du Devoir was extremely important for the young man I was. Despite its name “Tour de France”, I undertook most of my training abroad where I was lucky enough to meet wonderful professionals who greatly inspired me. I am still in touch with them today. I was 20 when I joined the Companons, which is very late. Usually, you join when you are 14. So I was more mature, I guess and more determined in learning to become as skilled as possible.

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A PASSION

What moves you?

Why do I like so much what I do? I think the most important thing is the smile of appreciation on my cliens’ face when they see what I have done. Inspiration can take many shapes. But I am most inspired by simple things. I rely on my wild imagination to give a twist to my creativity. For example, I can come up with a twisted swirl of leather, after looking at an ivy on a tree.

THE MASTERWORK

The 'Masterwork' is the final step of the Companion's training. What was yours?

My Masterwork was a travelling writing case. It was tan (camel colour), hand stitched with a white 12 strings threads, with crushed raspberries coloured Alcantra panels. On the outside, there were some yoks at the corners, stitched in white thread again. It looked like an old luxurious case, similarly to the ones Hermès did.

OUTSTANDING PROJECT

Tell us about one of your outstanding projects

The infamous Charlie Davidson approached me with an incredible project, he designed a unique seat and was looking for someone who could manufacture it. It is truly an impressive piece, it is a long seat shaped in a black leather corset on the outside and pink in the inside. The foot are in the shape of stilettos…  I was very happy to be able to give “life” to this beautiful seat.

I also participated in the interior design of some mega yacht and super yacht. We work on unique leather pieces, such as wall panels, flooring, staircases handrails or even buffalo leather bathroom walls…

I have also been asked to install some eel’s leather inside a chandelier. Oh! and yes… once I have been asked to cover the interior of gym bells with galuchat, which is the leather of a ray fin, one of the rarest leather in the world.

Charlie Davidson_Object of Desire

OBJECT OF DESIRE [Design Charlie Davidson].

BEHIND DE SCENES

How do give life to your artworks?

I usually start with sketches, which I validate with the Client. This preliminary phase can stretch a bit depending on the Client. I only start a project once my Client is fully content. I also validate the colours, the type of leather in this phase. Then, I will start what I call “the development”, which starts with a prototype. The prototype enables us to adjust the concept before I start working with the real material. It often have “carte blanche” and I skip the preliminary phase to start straight away on my vision…

LIGHTS & COLOURS

What is your favorite colour (on leather)?

I prefer bright colours. Instinctively, I would go for blue… wait, no… I also like red, or green.

Thinking about it, I am not sure whether I care for the colours or on how the light awakes the colours. Without light, colours are still, boring. In my experience, most of the people will choose neutral colours on leather, either grey, black or white. I try to bring them to more lively colours or natural colours.

“In Notting Hill, in London,

I covered a desk with pistachio green leather

with a bright fuchsia leather in the inside.”

The workshop, the perfect cut, Damien leather Craftsman.

GILDING

How does the gilding process work on leather?

  1. First, we sketch what we would like to be gilded. It is called a “stamp”
  2. We use this stamp on a hot press (around 120°c)
  3. We take the leather piece and position it under the press.
  4. Then, we press firmly for a couple of second on the leather, with a gold leaf in between
  5. Voilà!
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THE KNOW-HOW

What makes a beautiful leather piece?

When I look at a beautiful piece of leather, all I see is the know-how it required. You can feel the passion, the time spent over it. You also understand the time and expertise it required… The French know-how in leather craftsmanship is an expression of a certain everyday sophistication.  The training with the Companions is quite extensive as it lasts 7 years. In France, we are very lucky to have such a craftsmanship inheritance. Of course, trends are mutating, but the level of requirements is transferred and it keeps diffusing in our modern days.

RARE GEM

What is the most beautiful leather piece you have ever seen?

One of the most remarkable leather gem I have seen: a trapeze travelling back from 1900 in one piece of crocodile leather. It was a very long bag (90cm) with a doctor lock, in camel colour. This was incredible… and it was forgotten on a shelf in the Louis Vuitton mending workshop. When I saw it, I could not believe my eyes…

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